IQ9's "Pushover" in a 1993 Skate Video!

Yes! The Winston Salem band IQ9 featuring Mister Will Safrit singing "Pushover" along with Brian Doub, Eric Jackson and John Bryan can be heard on this clip taken from an October 1993 skate videotape known as 411 VM #3 - Houston Shut Up & Skate! Fo Realz!

Crazy Neil & Young Horse - Loose Again

Crazy Neil & Young Horse is a 2010 Wherehouse Halloween Party cover band that reunioned for the Capricorn Party @ The Garage, January 14, 2011. The group features Winston Salem's own Brian Doub (as Neil), Jay Dunbar (as Poncho Sampedro), Eric Jackson (as Billy Talbot), Ryan Pritts (as Ralph Molin) and Susan Snow (as a Nicolette Larson style singer). It was a costumed Capricorn Party, which explains why Susan is dressed as Dolly Parton. Jay Dunbar, Brian Doub and Eric Jackson are all currently in Cakes Of Light; who I hope to be profiling here very soon.


 
There may be a little off-key singing from where I was positioned, but what the hell; it's Rock & Roll right? BTW. Ryan dedicates "Lookin' For A Love" to Jelaina.

...and finally...

From the Golden Age of the 14th Dimension They Came

Tetragrammaton - Unreleased EP (2004)

1. Black Mass
2. Werewolf
3. Glass Dagger
4. Guidance
5. Five-Sided Star
6. Glass Dagger (bonus Sambson Remix)

The Glampyre (Blake Tesh) - vocals, guitar
The Werewolf (Brandon Bigelow) - vocals, bass
The Clown From The Underground (Marty Rogers) - drums
The San Francisco Frogman (Eric Jackson) - rhythm guitar, backing vocals
The Wizard (Andy Mabe) - trumpet, backing vocals

guests from other galaxies:
Ghoul Girl (Haydee Thompson) - keyboards
The Philosopher (James Sarrsgard) - vocals, stage character
Imp Of The Perverse (Steve Tesh) - childrens turntables, vocals, stage character
The Abomination (John Blackburn) - stage character
The Blob (Gaby Tracey & Rebecca) - a white sheet sewn into a sphere that molested the audience

Pentagram originated in the Anagram Program at The Wherehouse, along with Billy Gram and Hologram (see Psychic Revolution Compilation below). Initially, it was planned as a one time project that ended up being so well received by audiences and so much enjoyed by the members, that the plans were changed. Their first show was opening for the Ground Monkeys at The Wherehouse, the week before they left for the Winter of 2002 trip to Baltimore, Maryland; where the Anagram Program was performed several times. After that trip only a few more shows were played at The Wherehouse before they changed their name. The core of the group were lifetime Heavy Metal fans, and at least for cousins Brandon and Blake; it felt like the band they should have been in when they were 15 years old. Instead, they had tried other projects together throughout the years, that never quite gelled the way this one eventually did. Blake had been in numerous bands in the area, most famously as a member of Naked Angels. Likewise, Brandon's most successful project up to this point had been as a member of Creamy Velour. Marty had come from the Prog Metal group, Japan Air; and Andy Mabe had most famously played bass in the Glamrock band, The Brothers Grimm. As a founding member of The Wherehouse itself, Eric Jackson had been in a number of groups (IQ9, Pop Equations, Bell Brothers). This key lineup, were also the majority of a sister group called Golden Dawn; which in many ways was the antithesis of Pentagram. The five core members were oft times joined at live shows by guests from other galaxies. 

Ghoul Girl manifested for several shows, as did The Philosopher and The Imp Of The Perverse for the 2004 Mystic Carnival Halloween Show in Greensboro. Then there was the infamous Abomination show at which the Abomination came for The Frogman, and The Blob made it's one and only appearance. There was also an 'in house' show one night when there was a Rave going on in the performance space at The Wherehouse, which involved the band telling all the members of the house they were having a show in the basement practice space. Though Eric eventually left the band, he was able to read a text, go into a trance and contact the 14th dimension, for several performances of channeling The San Francisco Frogman; who played drums and keyboards to pre-recorded backing loops.

The 5 songs presented here were recorded in the last week before the Psychic Revolution tour, for product to sell. Over the lifespan of Pentagram/Tetragrammaton there were a number of songs that never made it to tape. "7 Winding Spiral Stairwells To The Mystic Circle" was inspired by the occult roots of the Nazi's and the underground meeting place at Himmler's SS Fortress; of which there are said to be extant live recordings (not present here). During the Psychic Revolution tour, a trance inducing chant called "Wicken Rise" was written, as well as "24-Karat Golden Zombie" which featured a short rap based on the film, The Serpent & the Rainbow. Both of these unrecorded songs were filmed on the grease bus, and may one day appear somewhere online. There was also "The Blob" which accompanied the singular appearance of The Blob, at the finale of the Abomination show (June 1, 2003).

On a metaphysical level, these entities assembled to bring about transformation. From origins shrouded in the mysteries of the Ancient Age came The Glampyre and The Werewolf, whose history of transformation had already attained legendary. Then there was The Clown From The Underground, The San Francisco Frogman and The Wizard; whose powers were more esoteric. Taken all together, these entities formed a five-sided covenant of harrowing proportions. After 5 Pentagram performances, a transformation was commanded. At The Garage on January 30, 2003; the five creatures performed an arcane ritual and transformed into Tetragrammaton. In time, The San Francisco Frogman was called back from whence he came, on the first day of June, 2003. The Wizard used the knowledge from his earlier mystical betrayal of the Glass Dagger, to call forth the Abomination; who dispatched The Frogman's ascension to the 14th Dimension, and the the land of no responsibility. Like a two sided coin, the balance flipped to the side of Golden Dawn and eventually the remaining members of Tetragrammaton ascended back into the 14th dimension and the Golden Age. Luckily for us, we have this document of their visitation on this plane.

 http://www.4shared.com/dir/20379924/b1656bcc/Tetragrammaton.html

California meets Carolina through Hendee, Dyar & Jackson

Eric Jackson & Will Dyar - Presence Control (2001)
1. Presence Control 9:40


The soundscape by Eric Jackson and Will Dyar titled "Presence Control", was created at artist Stephen Hendee's request for his art intallation at The Laguna Art Museum in California. Being from California himself Stephen chose earthquakes as the theme, and asked for a musical soundtrack for accompaniment. In the end, what was delivered was a sound collage of numerous tracks laid atop and conjoining one another. The source materials for "Presence Control" were field recordings from around North Carolina; of the train at The Werehouse, from the woods at Jeff Foster's house, water from the banks of the Yadkin River, and pots and gongs at Mike Callahan's place at Moore's Wall. These were captured on Mark Linga's borrowed DAT machine with a stereo mic, then looped and mixed throughout the fall of 2000.

Stephen Hendee's "Presence Control" appeared January 21 – July 8, 2001 at the Laguna Art Museum. Hendee’s site-specific constructions are built out of foamboard, wood supports, tape, and fluorescent lights. They are glowing, tunnel-like, room-size installations that exist somewhere between outer, mathematical or electronic space, or even intestinal space, if the body in question were an android. (curated by Tyler Stallings)


http://www.4shared.com/file/131603038/a7c2f06/Eric_Jackson__Will_Dyar_-_Presence_Control_2000__192_.html